Rob Papen SubBoomBass 1.1.2 VST: A Powerful Bass Synth for Any Genre
If you are looking for a bass synth that can deliver huge, cone-rattling sounds for any musical style, you might want to check out Rob Papen SubBoomBass 1.1.2 VST. This plugin is based on the Predator engine, but it has been carefully crafted to provide you with the tools to create fresh new bass lines with ease.
SubBoomBass features two flexible oscillators that can generate a wide range of waveforms, from classic analog to digital and even exotic ones like karplus-strong strings, tuned drums, and more. You can also use samples as oscillators, or combine them with the synth waveforms for more sonic possibilities. The plugin also has a sub-oscillator that can add extra low-end punch to your sound.
The plugin also comes with a powerful filter section that includes 14 different types of filters, such as low-pass, high-pass, band-pass, notch, comb, and more. You can modulate the filter cutoff and resonance with various sources, such as envelopes, LFOs, velocity, keyboard tracking, and more. You can also use the filter envelope as a modulation source for other parameters.
SubBoomBass also has a built-in sequencer that can create rhythmic patterns for your bass lines. You can choose from 16 different groove types, or create your own custom grooves. You can also sync the sequencer to your host tempo, or use it as a free-running arpeggiator. The sequencer can also trigger the filter envelope for more dynamic effects.
The plugin also has a comprehensive effects section that includes distortion, bit crusher, chorus, flanger, phaser, delay, reverb, and more. You can use up to six effects at once, and adjust their parameters individually. You can also use the modulation matrix to modulate the effects parameters with various sources.
SubBoomBass comes with over 2000 presets designed by Rob Papen and other guest artists, covering a wide range of genres and styles. You can also create your own presets and save them in the user bank. The plugin also has a handy preset browser that lets you search for presets by category, bank, or name.
SubBoomBass is compatible with Windows and Mac OS X platforms, and it supports VST and AU formats. It requires a minimum of 512 MB RAM and 100 MB free disk space. It also requires an eLicenser dongle for authorization.
SubBoomBass is a versatile and powerful bass synth that can enhance your music production with its rich and deep sounds. Whether you are making hip hop, dubstep, techno, or any other genre, you can find a suitable bass sound in SubBoomBass. You can also tweak and customize your sound with its flexible and intuitive interface.
If you want to learn more about SubBoomBass or download a free demo version, you can visit the official website of Rob Papen here: [^1^]. You can also watch some video tutorials and listen to some audio demos on the website.In this article, we will take a closer look at some of the features and functions of SubBoomBass and how you can use them to create your own bass sounds.
SubBoomBass has two main oscillators that can generate a variety of waveforms. You can choose from 128 different waveforms, divided into six categories: Analog, Digital, Spectrum, String, Drum, and User. The Analog category contains classic waveforms such as saw, square, pulse, triangle, and more. The Digital category contains waveforms that are more complex and harmonically rich, such as FM, sync, wavetable, and more. The Spectrum category contains waveforms that are based on spectral analysis of various sounds, such as brass, guitar, organ, and more. The String category contains waveforms that are based on karplus-strong synthesis, which simulates the sound of plucked strings. The Drum category contains waveforms that are based on samples of various drums and percussion instruments. The User category allows you to load your own samples as oscillators.
You can adjust the pitch and volume of each oscillator individually. You can also fine-tune the pitch in cents or semitones. You can also detune the oscillators to create a thicker sound. You can also use the spread knob to create a stereo effect by panning the oscillators left and right.
You can also use the sync button to synchronize the phase of the oscillators. This creates a more consistent and stable sound. You can also use the FM button to modulate the frequency of one oscillator with another. This creates a more complex and metallic sound.
You can also use the sub button to activate the sub-oscillator. This adds an extra sine wave one octave below the main oscillators. This adds more low-end power to your sound. You can adjust the volume of the sub-oscillator with the sub knob.
SubBoomBass has a filter section that allows you to shape the tone of your sound. You can choose from 14 different types of filters, such as low-pass, high-pass, band-pass, notch, comb, and more. Each filter has a different character and response.
You can adjust the cutoff frequency and resonance of the filter with the cutoff and res knobs. The cutoff frequency determines how much of the high frequencies are removed from your sound. The resonance emphasizes the frequencies around the cutoff point. You can also use the key track knob to make the filter track the pitch of your notes. This makes the filter more responsive to your playing.
You can also modulate the filter with various sources, such as envelopes, LFOs, velocity, keyboard tracking, and more. You can use the mod knob to adjust the amount of modulation applied to the filter cutoff. You can also use the source knob to select the modulation source from a list of options.
You can also use the filter envelope as a modulation source for other parameters. The filter envelope has four stages: attack, decay, sustain, and release. You can adjust each stage with its corresponding knob. The attack determines how fast the envelope reaches its maximum level. The decay determines how fast the envelope drops to its sustain level. The sustain determines how long the envelope stays at its sustain level. The release determines how fast the envelope drops to zero after you release a note.
You can use the env amt knob to adjust how much the filter envelope affects the filter cutoff. You can also use the env dest knob to select another parameter that is affected by the filter envelope from a list of options.
SubBoomBass has a built-in sequencer that allows you to create rhythmic patterns for your bass lines. You can choose from 16 different groove types or create your own custom grooves.
The sequencer has 16 steps that correspond to 16 notes in a bar. You can adjust the pitch and velocity of each step with its corresponding slider. You can also mute or skip steps by clicking on them.
You can also use the swing knob to add some groove to your pattern by shifting some steps slightly off-grid. You can also use the slide knob to add some glide between notes by extending their duration.
You can sync the sequencer to your host tempo or use it as a free-running arpeggiator by using
the sync button. You can also adjust the speed of the sequencer with